In the US and Canada, “You Can See Everything,” Nathan Fielder and Lance Oppenheim’s meta-documentary about Elizabeth Holmes, is a box-office success, a critical darling and a word-of-mouth sensation. But foreign filmgoers, like Ilia Krasilshchik, have been experiencing a very real sense of FOMO.
When the 39-year-old Berlin resident could no longer face the flood of memes and posts about the movie on social media, he and his wife did the only thing they could think of: Left Germany, where it is not playing, and crossed the border to see it in Poland, where it is.
